Sophocles’s Oedipus the King and Anouilh’s Antigone are both tragedies in the Aristotelian sense; as such, the protagonists have character traits that precipitate their downfall: both demonstrate pride, and a certain stubbornness in their adherence to moral principles. Oedipus refuses to go back on the curse he issued at the start of the play, even though he discovers that he is the object of that curse.
Read More…It is observed that although “Oedipus Rex” and “Death of a Salesman” have centuries between the time the two plays were written. Yet interestingly the projection of the tragic heroes in both the works provides an excellent basis for a comparative analysis regardless of the difference of the time in which the respective plays were written, their plots, and settings.
Read More…This paper intends to present an in-depth study of the plays that have evolved from different ages in the literature through the manifestation of a comparative study. Along with that, the comparative analysis of the themes present in the plays culminates a perspective quintessential for the understanding of the role of these plays.
Read More…This paper tells that the play is named after Antigone, and not after the other main characters such as Creon, who is the king and the one in a position of power. A close analysis of the play reveals, however, that in fact, Antigone is a coward, because she cannot face up to the contradictions in her own position, and she simply gives up rather than fighting for what she believes in.
Read More…In this work we hypothesize that drama imitates reality through representation rather than imitation. For proving this hypothesis we will analyze two plays “Oedipus Rex” by Sophocles and “Fences” by August Wilson. During the analysis we will look for evidences that can prove our original idea. We’ll overview the tragedies without retelling their plots and going into details.
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